Tuesday, May 8, 2012

Digitech iStomp Downloadable Effects Stompbox

Digitech iStomp Downloadable Effects Stompbox Review



Digitech iStomp Downloadable Effects Stompbox Feature

  • DigiTech Compressor-Versatile compressor/sustainer effect based on dbxTM compression
  • Red Compressor-Classic compressor great for balanced sustain with both clean and distorted tones inspired by MXR® Dyna CompTM
  • DOD FX25-Classic DOD® analog envelop filter gives a funky Auto Wah effect perfect for guitar and bass
  • Octaver- Produces signals one and two octaves below your original note, inspired by the Boss®OC-2
  • Screamer-The standard of overdrive effects inspired by the most popular overdrive pedal the TS9 Tube Screamer by Ibanez®
The iStompTM works just like every other stompbox. Step on the footswitch to turn it on and off. Adjust the knobs to get the sound you want. The biggest difference between the iStomp and other stompboxes is you can completely change the iStomp to be any pedal in the entire pedal line. Simply connect your iPod touch®, iPhone®, or iPad® to the iStomp and select which pedal you'd like from the DigiTech® Stomp ShopTM App. In about the same time it takes to download a song you can change the iStomp from a distortion to a reverb, a phaser to a tube overdrive, or a delay to a chorus. iStomp includes DigiTech's Total RecallTM digital delay and RedlineTM overdrive to get you started.


Monday, May 7, 2012

G7th 405 Performance Capo Limited Edition Gold

G7th 405 Performance Capo Limited Edition Gold Review



G7th 405 Performance Capo Limited Edition Gold


Saturday, May 5, 2012

iStomp Effect Pedal

iStomp Effect Pedal Review



iStomp Effect Pedal Feature

  • iStomp works like all other stompboxes on the market
  • More than 20 different pedals to choose from
  • User defined custom LED color for any pedal loaded to the iStomp
  • Die-cut removable custom labels for multiple pedals included
  • Compatible with all models of iPod touch, iPhone, and iPad running iOS 4 or later
The Digitech iStomp at a first glance appears to be much like any other stompbox. However, the iStomp offers a revolutionary new take on outboard effects. By controlling the iStomp with your iPhone, you can completely change this box to be any pedal in their vast line of well-known effects. Simply connect your iPod touch, iPhone, or iPad to the iStomp and select which pedal youd like from the DigiTech Stomp Shop App. In a very short time, you can change the iStomp from a distortion to a reverb, a phaser to a tube overdrive, or a delay to a chorus. The iStomp offers unprecedented flexibility and it can controlled entirely from your iPhone!The iStomp includes DigiTechs Total Recall digital delay and Redline overdrive to get you started. The iStomp will assume the identity of any pedal that is available through the DigiTech Stomp Shop App. Each iStomp comes with two pedals-Total Recall Digital Delay and Redline Overdrive. The first time you connect to your iStomp you can choose one more pedal from the different DigiTech pedals for only {ItemOverviews}.99. After that you can download new pedals for as little as .99.Order your Digitech iStomp Stompbox from Sam Ash Direct today with the security of our 45/60 day return/price protection guarantee, and be sure to take advantage of our fast, free shipping.


Friday, May 4, 2012

G7th Newport Lightweight Capo Silver (Silver)

G7th Newport Lightweight Capo Silver (Silver) Review



A smart capo that adjusts to apply exactly the right amount of pressure.


Thursday, May 3, 2012

Jackson MG Series DKMG DinkyTM - Satin Black w/ Case

Jackson MG Series DKMG DinkyTM - Satin Black w/ Case Review



Jackson MG Series DKMG DinkyTM - Satin Black w/ Case Feature

  • It is black in color.
Archtop alder body (with flame maple veneer on trans finishes), bolt-on maple neck, compound radius rosewood fingerboard, EMG 81 (bridge) and 85 (neck) humbucking pickups, Jackson low-profile double-locking tremolo and black hardware.


Tuesday, May 1, 2012

Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface

Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface Review



Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface Feature

  • 16 DuoPre mic inputs
  • 5 auxiliary sends
  • 3 Band eq with sweep mids
  • 100MM Professional faders
  • USB I/O with Sonar software
The ZED-24 is a small format, USB-equipped stereo mixer for live and recording. The ZED-24 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It’ll be equally happy running your gig on stage, recording live or mixing down in your studio at home.The feature-set of the ZED-24 mixer is incredibly advanced for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more! It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings.


Monday, April 30, 2012

Monster S100-I-12 Standard 100 1/4-Inch Instrument Cable (12 Feet)

Monster S100-I-12 Standard 100 1/4-Inch Instrument Cable (12 Feet) Review



Monster S100-I-12 Standard 100 1/4-Inch Instrument Cable (12 Feet) Feature

  • Precision coaxial design for accurate frequency repsonse and wide dynamic range.
  • 90% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution.
  • Carbon-infused dielectric reduces microphonic pops and cracks for a noise-free cable design.
  • IsoTec vibration techonlogy further redudes handling noise.
  • Extra-flexible Duraflex outer jacket for superior reliability and cut resistance.
Monster Standard 100 Instrument Cable is the first step into a world of flawlessly detailed guitar and bass sound. Precision windings and heavy gauge construction give your sound more presence, wider frequency response, and excellent dynamic range. Dense spiral copper with special dielectric minimizes handling noise. Extra-flexible jacket endures extended stage and studio use. Reinforced connectors stand up to rugged use whether whether you're gigging, tracking in the studio, or jamming in the garage. Monster 100 Series Features & SpecificationsPrecision coaxial design for accurate frequency repsonse and wide dynamic range. 90% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution. Carbon-infused dielectric reduces microphonic pops and cracks for a noise-free cable design. IsoTec vibration technology further reduces handling noise. Extra-flexible Duraflex outer jacket for superior reliability and cut resistance. Interchangeable, coloring attaches to each connector for customized identification. New heavy-duty, molded connector design increases durability and resists damage. Hard chrome contact 1/4 inch connectors are durable and corrosion resistant. Professionals recognize that the quality of cable in a sound system can dramatically affect, for better or worse, an entire mix, or an instrument's tone. When you're ready to settle for nothing less than premium cable, Monster is the name to turn to. Available in 3 grades, all Monster Cables are known for incredibly pure sound quality. On a budget Monster Standard 100 instrument, mic and speaker cables deliver improved performance at an affordable price.


Sunday, April 29, 2012

Martin M1200 Marquis 80/20 Bronze Acoustic Strings, Medium

Martin M1200 Marquis 80/20 Bronze Acoustic Strings, Medium Review



Martin M1200 Marquis 80/20 Bronze Acoustic Strings, Medium Feature

  • Gauges: .010 .014 .023 .030 .039 .047
The Marquis silk-wrapped ball end helps reduce wear on the bridge and bridge plate, making them ideal for valuable, vintage instruments. They are also recommend them as the top choice for restringing your guitar for daily use. These strings are made from 80/20 Bronze.


Saturday, April 28, 2012

Peavey PV14 Mixer

Peavey PV14 Mixer Review



Peavey PV14 Mixer Feature

  • Built-in DSP effects processor10 reference-quality, low-noise mic inputs Channels 7 and 8 with dual switchable stereo line inputs.
The Compact Peavey PV14 Mixer offers durable construction, low noise, and excellent sound quality for an amazingly low price. It's designed for either live sound or recording, with sturdy metal housing, reference-quality mic preamps, and a total harmonic distortion of less than 0.0007%. Has global 48V phantom power and stereo effects I/O. Master sections offer assignable tape input, contour EQ, and outputs for mains, control room, and headphones. The PV14 Mixer features 12 channels, 10 with mic inputs and 2 with stereo line inputs. Insert points on mic channels and XLR main outputs in addition to balanced 1/4". Digital effects. 16-1/8"W x 3-1/2"H x 14-3/4"D.


Thursday, April 26, 2012

Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern.

Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern. Review



Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern. Feature

  • Three custom condenser capsules and four different polar pattern settings: Cardioid, Stereo, Bidirectional and Omnidirectional
  • Cutting-edge A-D converter chip and separate analog circuit path for use with professional studio mixers and preamps
  • Built-in headphone amplifier for zero-latency monitoring, and direct controls for headphone volume, pattern selection, mute, and microphone gain
  • 15 Hz-22 kHz frequency response
  • 192 kHz/24 bit Sample/Word
The Yeti Pro is the world’s first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output.Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to fourtimes the clarity found on CDs. Plus, the Yeti Pro features a cutting-edge A-D converter chip and separate analog circuit path for usewith professional studio mixers and preamps. You also get a built-in headphone amplifier for zero-latency monitoring, and direct controlsfor headphone volume, pattern selection, mute, and microphone gain. So whether you record at home, in a studio (or in the Himalayas!),the Yeti Pro is your ultimate sound solution.


Wednesday, April 25, 2012

G7th G7Th Performance Capo

G7th G7Th Performance Capo Review



G7th G7Th Performance Capo Feature

  • Made by G7th
  • Model Number: G7C
G7th G7Th Performance Capo Made by G7th Model Number: G7C


Tuesday, April 24, 2012

Shure PG288/PG58 Dual Vocal Wireless System, M7

Shure PG288/PG58 Dual Vocal Wireless System, M7 Review



Shure PG288/PG58 Dual Vocal Wireless System, M7 Feature

  • Two PG2/PG58 wireless microphone transmitters included
  • 10 selectable frequencies and up to 8 compatible systems
  • Internal antenna diversity for a quality, reliable signal
  • 1/4-inch and XLR output for each channel
  • Two UHF wireless diversity systems in one compact chassis

This is a great basic wireless system from Shure, comprised of a PG88 receiver and two PG2/PG58 handheld microphone transmitters. Ideal for lead and backing vocals in live performance, karaoke, or other wireless applications.

Shure PG88 Receiver
The PG88 provides two channels of wireless connectivity in a compact system. Click here for a larger image


Shure PG2/PG58 Handheld Mic Transmitter
Two stage-ready PG2/PG58 handheld mic transmitters included. Click here for a larger image
Shure Performance Gear Wireless

A comprehensive first step into professional wireless, Performance Gear Wireless is engineered to the same uncompromising quality standards as PGX, SLX, and UHF-R. Combining superior Shure sound quality and stage-proven endurance with advanced features like Internal Antenna Diversity, Performance Gear Wireless offers professional tools created for confident performance.

With hassle-free setup, stage-worthy construction, and superior sound quality, Performance Gear Wireless does what great gear is supposed to do--get the job done and never get in the way. The first professional choice for freedom from the wire.

PG88 Dual Channel Diversity Receiver

The PG88 provides two channels of UHF wireless connectivity in one compact system. Select the best signal from ten selectable channels, and you're good to go with the included mics.

It's a breeze to set up, with simple channel matching between Shure wireless devices and the receiver, busy indicators to notify you of interference from other devices. Microprocessor-controlled internal antenna diversity boosts the quality and reliability of your signal.

Each channel features a 1/4-inch and XLR output, so it'll work with most any audio system.

PG58 Vocal Microphones

Two PG58 vocal microphones are included. These are rugged, stage-ready mics, tuned to accentuate the clarity of lead and back-up vocals. A cardioid polar pattern means less susceptibility to feedback in high volume settings, and the rugged coil handles extreme volume without distorting.

These mics are ideal for handheld use, with itnernal shock mounting to supress handling noise, an on/off switch for on-stage control, and durable metal construction. The steel mesh ball grille also acts as a pop filter, to reduce wind noise or breath sounds.

What's in the Box
PG88 Receiver, AC Power Supply, Two PG2/PG58 Handheld Transmitters, User Guide
Includes PG88 Dual Diversity Receiver and two (2) PG2/PG58 Handheld Microphone Transmitters. Ideal for lead and backing vocals in live performance or karaoke.


Monday, April 23, 2012

Oasis OH-1 Original Guitar Humidifier

Oasis OH-1 Original Guitar Humidifier Review



Oasis OH-1 Original Guitar Humidifier Feature

  • You can see when Oasis is ready for refill
  • Long lasting humidification
  • Won't leak due to overfilling
  • Two levels of leak protection
  • Stabilized to Never Touch the Body of Your Instrument
The body of the Blue Oasis Guitar Humidifier is made from a specially designed fabric that allows water vapor (but not water) to pass through it. As the vapor transmission takes place, a vacuum is created and Oasis shrinks to compensate for the loss of water. By watching the Oasis humidifier shrink, you can determine when it is ready for refill. When refilling, you don't have to guess when it is full. Simply unscrew the black cap, fill with water to the top of the container and replace the cap. Once sealed, the watertight container is your first line of defense against leaks. Humigel, the super absorbent polymer crystals inside the Oasis Humidifier, are your second line of defense. Humigel captures up to 500 times its weight in water in an absorbent gel matrix.Like other sound hole humidifiers, Oasis fits between the strings of your instrument. The materials that touch your strings are relatively soft and will not scratch your strings. A blue polyurethane stabilizing bar fits over the neck of the guitar humidifier. Once positioned in the sound hole, the stabilizing bar lies across the guitar strings to ensure even weight distribution. Oasis never touches the body of your guitar.For normal seasonal humidification (down to 25% relative humidity), most guitarists can rely on the original Blue Oasis. The Oasis provides humidification for 7-10 days before needing to be refilled.


Saturday, April 21, 2012

Audio-Technica AT2020 USB Condenser USB Microphone

Audio-Technica AT2020 USB Condenser USB Microphone Review



Audio-Technica AT2020 USB Condenser USB Microphone Feature

  • Side-address studio condenser with USB digital output (Windows and Mac compatible)
  • Crystal-clear, natural sound for podcasting, home studio recording, field recording, and voiceover use
  • Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Low self-noise-perfectly suited for sophisticated digital recording equipment
The new AT2020 USB offers studio-quality articulation and intelligibility with modern convenience. It plugs right into your computer's USB port, and functions seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB is perfect for home studio recording, field recording, podcasting, and voiceover use.

Studio-quality articulation and intelligibility with modern convenience. Click to enlarge.

Great for podcasting, home studio recording, field recording, and voiceover use.

View frequency response/polar pattern. Click to enlarge.

Based on the Renowned AT2020
The AT2020 USB is a side-address studio condenser based on the design of Audio-Technica's critically acclaimed AT2020 cardioid condenser microphone, which can be found in studios worldwide. Like the AT2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. The Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.

Digital-Ready
With low self-noise, the AT2020 USB is perfectly suited for sophisticated digital recording equipment. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company's renowned consistency and reliability standards.

This means you'll get crystal-clear, natural sound for podcasting, home studio recording, field recording, and voiceover use.

AT2020 USB Specs

  • Element: Fixed-charge back plate permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 20 -16,000 Hz
  • Bit Depth: 16 bit
  • Sample Rate: 44.1 kHz
  • Power Requirements: USB power (5V DC)
  • Weight (less accessories) 13.2 oz (374 g)
  • Dimensions: 6.38" (162.0 mm) long, 2.05" (52.0 mm) maximum body diameter
  • Output Connector: USB-type connector

Audio-Technica 20 Series--Affordable Pro Audio Microphone Solutions
Audio-Technica's stringent consistency, reliability and quality standards bring professional performance to this extremely affordable line of home/project studio microphones.

What's in the Box
AT2020 USB microphone, tripod desk stand, pivoting stand mount, USB cable & storage pouch The Audio-Technica AT2020 USB Microphone offers studio-quality articulation and intelligibility. The AT2020 USB plugs right into your computer's USB port, and functions seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB is perfect for home studio recording, field recording, podcasting, and voiceover use. Based on the renowned AT2020 The AT2020 USB is based on the design of Audio-Technica's critically acclaimed AT2020 cardioid condenser microphone. Like the AT2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. With low self-noise, the AT2020 USB is perfectly suited for sophisticated digital recording equipment. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company's renowned consistency and reliability standards. Experience AT2020 USB. Plug it in and transform your sound. Audio-Technica AT2020 USB Features Side-address studio condenser with USB digital output (Windows and Mac compatible) Crystal-clear, natural sound for podcasting, home studio recording, field recording, and voiceover use Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Low self-noise - perfectly suited for sophisticated digital recording equipment Includes tripod desk stand, pivoting stand mount, USB cable & storage pouch.


Friday, April 20, 2012

Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic

Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic Review



Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic Feature

  • The price/performance standard in side-address studio condenser microphone technology
  • Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
  • High SPL handling and wide dynamic range provide unmatched versatility
  • The price/performance standard in side-address studio condenser microphone technology^Ideal for project
  • The price/performance standard in side-address studio condenser microphone technology Ideal for project/home-studio
The price/performance standard in side-address studio condenser microphone technology, Audio Technica's AT2020 studio mic has a low-mass diaphragm that is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high sound pressure levels (SPLs) with ease.

Ideal for project/home-studio applications, the cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. The pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone



See larger image.
The AT2020 is intended for use in applications where remote power is available. It requires 48V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel and CP8506 four-channel phantom power supplies.

Specifications

  • Element: Fixed-charge back plate, permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 20-20,000 Hz
  • Open Circuit Sensitivity: –37 dB (14.1 mV) re 1V at 1 Pa
  • Impedance: 100 ohms
  • Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D.
  • Noise: 20 dB SPL
  • Dynamic Range (typical): 124 dB, 1 kHz at Max SPL
  • Signal-To-Noise Ratio: 74 dB, 1 kHz at 1 Pa
  • Phantom Power Requirements: 48V DC, 2 mA typical
  • Weight: 12.1 ounces
  • Dimensions: 6.38 inches long, 2.05-inch maximum body diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories Includes: Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
  • Audio-Technica Case Style: R7
There are many reasons for the universal praise the AT2020 has inspired. A-T's renowned quality and consistency standards aare evident in details like it's low mass diaphragm, painstakingly engineered for extended frequency response and superior transient response. The microphone offers an extremely wide dynamic range and handles high SPL's effortlessly.