Qwik Tune Guitar Professor Tuner

Qwik Tune Guitar Professor Tuner Review

Qwik Tune Guitar Professor Tuner Feature

• Teaches over 250 chords
• Guitar tuner
• Pitch pipe

Qwik Tune just released an exciting new digital guitar tuner, pitch pipe and chord finder all in one unit called the Guitar Professor. This is only digital guitar tuner that teaches you 250 guitar chords and gives you the option to use the pitch pipe tones or the digital tuner. Easily select through the 3 features with a push of a button. An amazing compact 3 in 1 unit.

String Swing Hardwood Home & Studio Guitar Hanger (Shades May Vary)

String Swing Hardwood Home & Studio Guitar Hanger (Shades May Vary) Review

String Swing Hardwood Home & Studio Guitar Hanger (Shades May Vary) Feature

• The #1 Selling Guitar Hanger from String Swing
• Adjustable yoke width will accommodate acoustic or electric guitars, and mandolins
• Yoke pivots to cradle the instruments headstock
• Keeper rings are included with the purchase of the CC01
• Wood block is made of real hardwood, shades may vary

The String Swing Guitar Hanger features exclusive tubing that will not mark the finish on your instrument - Guaranteed! Its hardwood construction looks fantastic and is built to last. The yoke pivots to hold any type of headstock and is is adjustable to any width. This hanger will display wide or narrow body instruments.

Schaller Strap Locks - Gold

Schaller Strap Locks - Gold Review

Schaller Strap Locks - Gold Feature

• Two strap locks
• Two washers, Two nuts
• Two strap buttons
• Gold Finish

The lock mechanism attaches to your strap. You must use the Schaller strap button included. Pull the knob on the front of the lock and a plunger moves allowing the lock to slide around the Schaller button. Release the knob, the plunger springs back and into the center cavity of the Schaller button. Your strap ain't going nowhere now!

Numark CDN22 MK5 Rack-Mount Dual CD Player

Numark CDN22 MK5 Rack-Mount Dual CD Player Review

Numark CDN22 MK5 Rack-Mount Dual CD Player Feature

• Easy-to-use jog wheels for rapid search and pitch bend
• Rugged all-metal build for reliable performance
• Beat match with ±12% pitch control
• Programmable CD and CD-R playback
• Two-piece rack-mount design with single-cable connection

CDN22 MK5 is a straightforward dual-CD player for mobile DJs and club installs. You'll find that while CDN22 MK5 is extremely affordable, it empowers you with all of the CD-playing essentials for professional performance. TWO-PIECE DESIGN CDN22 MK5 is built in an attractive, rack-mount package that's equally at home in angled and straight racks. You can mount the control and drive units together or separately for setup flexibility, and the two interconnect with a single cable. It plays all of your CD and CD-R discs for media convenience. The CD player is housed in an all-metal chassis for rugged, reliable performance. PERFORMANCE CONTROLS CDN22 MK5 gives you rapid track access on its easy-to-use multifunction jog/shuttle wheels. You can dial the point in the track you're after in a split second and also use the jog wheels for controlling pitch bend. You can pitch your tracks up and down by 12% for easy beat matching. CDN22 MK5's programmable playback enables you to set up a sequence of tracks for convenient playback. EXTRA FEATURES CDN22 MK5 has standard RCA outputs for connection to nearly any audio system and it also has a lossless S/PDIF digital output for super-low-noise playback. It also has Fader Start, which automatically starts playback when you move the crossfader on a compatible mixer. CDN22 MK5 has all the basics you demand and few bonus features for making your gigs easy and enjoyable.

Electro-Voice ZX5-90 15" 600W Passive PA Speaker Black

Electro-Voice ZX5-90 15" 600W Passive PA Speaker Black Review

Electro-Voice ZX5-90 15" 600W Passive PA Speaker Black Feature

• DVX3150 15" LF transducer with forced air cooling ND2 2" voice coil, 1" exit neodymium compression driver 90° x 50° coverage pattern 600W continuous (2400W) powerhandling High sensitivity, 132 dB maximum SPL Adjustable monitor angle (45° or 55°) 3 anchor plates for single stud fittings and 10 integral suspension points Available in black or white Passive/bi-amp selectable Full line of accessories

The Electro-Voice Zx5 is a 15", two-way cabinet with the most elegant, high-impact, composite enclosure, featuring the newest generation of EV components: The DXV3150 500-watt, 15" woofer and the 2" neodymium ND2 compression driver.The Zx5 is rated for 600-watt, long-term power handling and is able to produce high SPLs while providing a very smooth frequency response. With two available coverage patterns (60° x 60° or 90° x 50°), two adjustable monitor angles (45° or 55°) and ten built-in rigging and suspension points allow for a variety of mounting accessories, the Zx5 fits a variety of applications such as installations of individual speakers or clusters in entertainment, houses-of-worship, as well as on stage with bands, musicians, and PA rental companies.

Electro Voice ND967 Dynamic Vocal Microphone

Electro Voice ND967 Dynamic Vocal Microphone Review

Electro Voice ND967 Dynamic Vocal Microphone Feature

• Highest gain-before-feedback performance vocal microphone
• Optimized response for live performance
• EV-exclusive personality switch shapes sound
• Unique removable front grille assembly and pop filter for easy hygenic cleaning
• Superior multistage shock mount for unmatched low handling noise

Have a problem with feedback? The solution is the N/D 967 from EV, which features the best gain before feedback of any mic available. Its flat ballscreen, tailored frequency response, and ultra-low handling noise combine to make it a powerful tool for any FOH or Monitor engineers mic box. The N/D 967 gives you more vocal, and less everything else!

Rode NT2000 Vocal Condenser Microphone

Rode NT2000 Vocal Condenser Microphone Review

Rode NT2000 Vocal Condenser Microphone Feature

• Large 1 inch HF1 gold sputtered capsule
• Polar pattern variable between omni, cardioid and figure 8
• Continuously variable pad and high-pass filter
• Ultra low noise, transformerless surface mount circuitry
• Wide dynamic range

The World's First Fully Variable Control Microphone! The RØDE NT2000 is the latest brainchild from Australian master microphone designer Peter Freedman. Never before has this much control and versatility been available in a superlative class large capsule recording microphone. You have totally variable polar pattern, filter and pad all located on the body of the microphone! The NT2000's state of the art surface-mount electronics combined with the new Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity. The NT2000 includes a hard case and a shockmount. Rode NT2000 Features Large 1 inch HF1 gold sputtered capsule Continuously variable polar pattern, from omnidirectional to cardioid to figure 8 controlled on the microphone Continuously variable pad and high-pass filter Ultra low noise, transformerless surface mount circuitry Wide dynamic range High strength welded and heat treated steel mesh head Internal capsule shock mounting I could go on to share the thousands of hours that went in to the research and development of this microphone, instead I am prepared to put my reputation on the line. I am saying without fear of contradiction, the NT2000 is the best sounding and most versatile 1' FET studio microphone on the world market today, regardless of cost. Peter Freedman, President RØDE Microphones

Samson StudioDock 3i Powered Studio USB Monitors with iPod Dock

Samson StudioDock 3i Powered Studio USB Monitors with iPod Dock Review

Samson StudioDock 3i Powered Studio USB Monitors with iPod Dock Feature

• 3 inch magnetically shielded inverted cone copolymer woofer with butyl surround
• 25mm silk dome high frequency driver
• Bass reflex vented cabinet design
• 2 x 20 watts of internal power
• Front-panel 3.5mm stereo aux input jack, headphone output jack, and volume control

StudioDock is a total solution for listening to your music. With its on-board iPod dock and USB interface, StudioDock lets you record, mix, sync and take your music with you. StudioDock will even charge an iPod while it's docked. And because you use USB to send your music digitally, you get extremely high quality audio from one convenient, incredible sounding set of desktop monitors.

A total solution for listening to your music. Click to enlarge.

Click above images for front/rear feature diagrams.

Great Monitoring Performance
StudioDock 3i offers the same professional monitoring performance found in all Samson studio monitors, thanks to Samson's use of custom-designed components and a critically damped, vented cabinet design. The StudioDock even looks nice--an elegant complement to any desktop, home studio or mixing room.

Integrated iPod Dock
Use the universal iPod dock to charge your iPod, and play back your iPod music. And since the StudioDock is USB-enabled, you can sync directly with iTunes when connected to your computer.

Professional Features
StudioDock 3i features a 3.25-inch, copolymer woofer with a Santoprene surround for high excursion and internal damping, providing uncolored music reproduction. With its high performance, magnetically shielded woofer, the 3i also employs a precision made 25mm silk dome tweeter with a neodymium motor structure for smooth, extended high frequency response that reduces listener fatigue. The Solid MDF enclosure finishes it off.

In addition, this revolutionary monitor is powered by an internal 30 watt (2 x 15) high performance, low distortion power amplifier with custom equalization. The result is a system that delivers unusually smooth and accurate frequency response with precise stereo imaging.

Choose Your Input
The StudioDock 3i features a USB input to stream digital audio from your computer, offering high-resolution sound. In addition, you'll get convenient rear panel RCA inputs, and a front panel 3.5mm stereo input jack to plug in an additional sound source on the fly. (A headphone output jack is also included up front, to mute the speakers and listen with headphones and volume control.)

What's in the Box
Pair of StudioDock Speakers, Power Cables, USB Cables, Owner's Manual StudioDock: A Monitoring Milestone for the iPod Generation. Samson unveils StudioDock, a USB studio monitor specifically designed for today’s music production needs. StudioDock allows you to play or stream digital audio via USB directly to the monitors. And because the music stays digital, StudioDock produces remarkably high quality audio. The monitors also provide an onboard iPod dock so you can sync, charge and play music from your iPod. StudioDock makes life easy on musicians and producers that want to take their mix with them to listen on other consumer audio sound systems. It’s the perfect companion for today’s music producers who want true digital audio that sounds clearer and cleaner than a traditional analog cable with soundcard output.In addition to the USB functionality and onboard iPod dock, StudioDock offers studio-quality performance. The StudioDock offers 2 x 15 watts of internal power respectively, along with a 25mm silk dome high frequency driver. An all-in-one solution with studio-quality sound for the iPod generation was missing from the marketplace. StudioDock fills the void and provides an intuitive, comprehensive listening station for today’s musicians, producers and general music-lovers.

Zoom G9.2tt Twin Tube Guitar Effects Console

Zoom G9.2tt Twin Tube Guitar Effects Console Review

Zoom G9.2tt Twin Tube Guitar Effects Console Feature

• Effect Types: 120
• Effect Modules: 10
• Maximum Simultaneous Effects: 10
• Patch Memory: User 100+Preset 100, Total 200
• Sampling Frequency: 96kHz

The G9.2tt is a multi-effects powerhouse. With sophisticated amplifier and stompbox modeling, 120 different effects, a built-in tuner, the ability to optimize for particular amps, and plenty more, it's ideal for studio and stage alike. The Z-pedal officially takes it to the next level, allowing you to control up to four parameters by moving your foot on two different axis (up and down or side to side).

A multi-effects powerhouse. Click to enlarge.

The 12AX7 tube produces warm crunch with rich harmonics.

The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing.

The built-in EQ module has six frequency bands optimized for electric guitar.

Cubase LE 4 comes bundled with the unit.

Transfer G9.2tt patch data to a computer for editing and storage.

Z-pedal lets you assign up to four parameters in each axis of pedal movement (vertical and horizontal).

Energizer using 12AX7 tube
Giving body to the guitar sound and adding supple power and intensity--that is the task of the Energizer. Turning up the TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. The BOOST control spruces up highs and lows, resulting in more transparency. Enjoy a powerful tone also when recording directly to a line input or via USB on a computer.

ZFX-3--a 32-bit DSP designed by ZOOM
The heart of any multi-effect device is its processor and decoder section. ZOOM has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity.

DSP sound modeling plus tube circuitry create the ultimate in distortion
96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level.

Preamp section with two channels
The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp.

Great for stage work or direct recording
The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well.

Amp select feature
This function optimizes frequency response to match the amp that you are using. Settings are available to get the best out of popular models such as Roland JC-120, a Fender combo, and a Marshall stack. The -10 dBm/+4 dBm output level switch allows the G9.2tt to be used as a preamp, directly connected to the power amp input of a guitar amplifier.

6-band graphic equalizer
The built-in EQ module has six frequency bands optimized for electric guitar. Peaking type filters in the crucial middle range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving type filters at the low and high end (160 Hz and 12 kHz). This ensures the shortest possible route from inspiration to actual sound.

Guitar amplifier/stomp box modeling
Analog devices such as tubes and diodes have unique clipping characteristics. Sophisticated digital simulation finally makes it possible to recreate the sound of vintage tube amps and effect devices with astonishing realism. From popular names such as Fender, Marshall, and VOX to modern amps including MESA BOOGIE, Hughes & Kettner, and Diezel--the list of choices is extensive. The cabinet simulator even has settings for mic position, to achieve totally natural sounding performance.

32-bit processing for a wide choice of high-quality guitar sound effects
Ranging from trusty old standards to advanced choices for specialized needs, the effect collection of the G9.2tt comprises 120 effects in 10 modules. Pick an MXR Dynacomp, famous for its unusual compression action, or select wah pedal simulations such as VOX and CRYBABY. Choose from three types of chorus for creating a solid, wide sound stage. Access seven types of reverb with transparent, unblurred sound. And the list goes on: tremolo with selectable modulation waveform, bend chorus with individual pitch bending, harmonized pitch shifter, multi-tap delay even reverse delay. These professional quality effects will fuel the creativity of every guitarist. The preamp section and wah/filter effects allow changing the module insert position for even more advanced tonal control.

Preset patches ready to use for recording or live performance
Whether you are after a true-blue vintage tone or fat high-gain sound, you will find a choice here. There are settings that accurately simulate well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original ZOOM effect sounds. The past and the future of guitar sound is right there at your fingertips. The G9.2tt comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided.

Intuitive interface great for stage use
Each of the four analog style rotary knobs let you directly edit parameters on-the-fly, a total of four simultaneously. The LCD panel clearly shows patch and parameter names. Direct access keys are provided for each module. The advanced user interface is designed to ensure hassle-free operation, while not getting in the way of your creativity. On stage, the foot switches allows easy effect bank selection, module and hold delay on/off switching or tap tempo input. The self-lit switches show module status at a glance.

Real-time modulation for 4 simultaneous parameters fosters lively playing
The built-in expression pedal allows control over effect parameters in realtime. Common pedal effects such as wah, pitch, and volume control are ofcourse supported, but you can also opt to adjust drive gain, modulationrate, delay/reverb mix level, and other parameters. Up to four parameterscan be assigned to a single pedal, allowing dramatic techniques such asraising the chorus, delay, and reverb at the same time. Create a rotary speaker style sound by varying tremolo, chorus, and auto-panning rate. Also,the ARRM (Auto Repeat Real-time Modulation) function is capable of producingrhythmical tone changes, opening up a wealth of possibilities.

World's fastest patch change speed: 7 ms
Switching patches has never been smoother or less noticeable. With its record-setting speed of 0.007 seconds (7ms), the G series never miss a beat.When changing to a lead preset in the middle a song, you no longer need to press the switch in advance, simply push the foot switch and start playing your solo.

Built-in tuner supports special tuning requirements
The guitar tuner can be called up instantly by pushing a dedicated footswitch. In addition to the standard auto-chromatic tuner, various othertuning methods for guitar and bass are possible, and open tunings are alsosupported. High-brightness LED indicators make the note readout easy to seeon a dark stage. The calibration range is A 435 to 445 Hz, and muted tuning(without sound output) is also possible. Tuning your guitar has never been easier or more convenient

ZNR keeps playing pauses really quiet
The built-in ZOOM Noise Reduction (ZNR) provides optimized signal performance for guitar. While minimizing any alteration of the original sound, ZNR cuts unwanted noise during pauses. Tails of sustained notes remain unaffected, with a long natural release.

Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor
With an amazing rated signal-to-noise ratio of 120 dB and a -100 dB noise floor, background noise ceases to be a problem, leaving only superbly clean, transparent sound.

Sturdy metal chassis and rubber damping for superior toughness and durability
The combination of a solid metal chassis with shock-absorbant rubber damping ensures that the unit can stand up to the rigors of on stage use. Take it on the road or bring it into the studio, the G9.2tt will not let you down. And it looks great, too, the stylish two-tone coloring using silver and black, rounded shape, and chrome-plated parts give the unit a high-class, futuristic appearance.

USB based audio interface functions
The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable to use the high-quality sound of the G9.2tt in a computer-based recording system. The high-performance DAW application "Cubase LE 4" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording.

MIDI IN/OUT jacks allow linking to other equipment
The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data.

AUX IN jacks accommodate external sources
The playback signal from external sources can be plugged-into the AUX input. Jam along with a rhythm machine, external CD or mp3 player. You may also utilize the connectors as a stereo line input to record audio into your computer via the USB interface.

Accelerator blends tube and solid state sound
The analog input section incorporates an Accelerator that can amplify the signal in a tube or a solid-state based circuit. The 12AX7 tube produces fat, sturdy sound that can be mixed with the clear and transparent sound from the solid-state circuit. Blending natural compression with typical tube saturation characteristics creates a rich, organic tone.

Z-pedal takes pedal performance to the next level
The pedal on the right side of the G9.2tt supports 3D action by sensing not only conventional up/down but also sideways movement. The Z-pedal lets you build highly complex sound control patterns by allowing you to assign up to four parameters in each axis of pedal movement (vertical and horizontal). There are also effects specifically designed for use with the Z-pedal. Get creative in ways never imagined before, and explore a whole new realm of pedal performance.

External send/return loop connectors
A separate stomp box, rack-mount effect or other device can be connected to the G9.2tt's effects loop and used as part of a patch. Send/return level as well as on/off status are stored as part of the patch. Find new uses for your favorite pedals and spark your creativity in a variety of unexpected ways.

What's in the Box
G9.2tt Unit, AC adapter, Cubase LE 4 Install Disc, User's Manual -

Samson SP04 Shockmount for G Track USB Mic

Samson SP04 Shockmount for G Track USB Mic Review

Samson SP04 Shockmount for G Track USB Mic Feature

• Spider-style shockmount
• Designed specifically for G-Track Microphone
• Sturdy metal construction
• Isolates mic from noise
• Screws onto any mic stand

Shockmount for the Samson G-Track USB microphone.

DBX 1066 Dual Compressor Limiter Gate

DBX 1066 Dual Compressor Limiter Gate Review

DBX 1066 Dual Compressor Limiter Gate Feature

• Selectable auto (classic dbx®) or manual (variable Attack and Release) compression
• Contour switch removes unwanted low frequency information from detector circuit
• Selectable Overeasy® or Hard Knee compression modes
• PeakStopPlus(TM) limiting for setting maximum allowable level with minimal distortion
• SC Ext and SC Mon for setting up and monitoring external devices for gating function

After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx®. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.

M-Audio Oxygen 49 49-Key USB MIDI Controller

M-Audio Oxygen 49 49-Key USB MIDI Controller Review

M-Audio Oxygen 49 49-Key USB MIDI Controller Feature

• bus powered 49-key USB MIDI controller - easy computer cnnnectivity
• 8 assignable knobs, 9 assignable sliders - control DAW and virtual instrument parameters
• DirectLink mode - instant controller mapping to DAW functions
• dedicated transport and track slected buttons - streamlined session control
• Pro Tools compatible - extends industry-standard functionality
• Bus powered 49-key USB MIDI controller - easy computer connectivity

The Oxygen 49 USB MIDI controller delivers next-generation functionality from M-Audio, the leading innovator in mobile music production technology. Oxygen 49 features eight assignable knobs and nine assignable sliders, plus dedicated transport and track select buttons. directLink mode aotomatically maps these controls to common DAW functions including ransport, mixer, track pan and plug-in parameters. Built-in factory preses offer support for popular virtual instruments right out of the box - no complicated setup required. Velocity-sensitive keys and a sleek , compact design round out a portable keyboard that's perfect for both production and performance. No other MIDI controller in this price range has so much functionality while remaining easy to use.

Dean Dimebag Blade Tribute Guitar

Dean Dimebag Blade Tribute Guitar Review

Dean Dimebag Blade Tribute Guitar Feature

• Basswood body with custom Dimeblade graphics
• 24-3/4-inch scale, 22-fret bolt-on maple neck with rosewood fingerboard and dot inlays
• Dean bridge humbucker with volume and tone controls
• Tune-o-Matic bridge with string-thru-body design
• Dean tuning machines

The Dean Dimeblade, like the other Dimebag models, is a fitting tribute to the late great, complete with the likeness and signature of the man himself. Keep it simple--simply rocking, that is--with a single Dean humbucker, Tune-o-Matic bridge with string-thru-body design.

Dean Dimeblade at a Glance Body wood: Basswood Neck Construction: Bolt-on Neck wood: Maple Fretboard: Rosewood Inlays: Dot Frets: 22 Scale: 24-3/4" Bridge: Tune-o-Matic With String-thru-body Pickup: Dean Humbucker Controls: Volume, Tone Tuners: Dean Hardware: Chrome Finish: Custom Dimeblade Graphics

Dean bridge humbucker, Tune-o-Matic bridge with String-thru-body design.

Get your Dean wings.

Dime It
The late great Dimebag Darrell is a serious metal guitar hero, and Dean's series of Dimebag models pays homage. Dimebag started playing Dean ML style guitars in the late '70s, and made it one of the most recognizable shapes today. Dean offers a wide variety of Dimebag MLs to choose from, all boasting Dimebag's distinctive look and tons of mojo and attitude.

Basswood Body
The Dimeblade features a lightweight basswood body. Basswood is great for heavier rock and metal styles, delivering a nice even tone that feeds a dirt pedal (or a dimed Marshall) nicely.

Of course what's really striking about the body is the wicked custom finish. Dimebag and his signature are portrayed, along with his trademark razor necklace, over green lightning graphics.

Bolt-On Construction
Bolt-on neck construction provides an affordable alternative to set-neck or thru-body designs. The advantage of this design is that if you do have any neck trouble down the line, you can easily replace it.

The Dimeblade's maple neck features an ultra-playable 22-fret rosewood fingerboard, with classic dot inlays.

Dean Humbucker Pickup
This axe keeps it simple on the electronics front, featuring just a single Dean Humbucker, in black-and-white "zebra" style for looks as good as the sounds. This pickup provides more than enough bite for modern styles, along with plenty of low-end and midrange definition. Volume and tone controls are provided.

Chrome Hardware
The Dimeblade features a Tune-o-Matic style bridge with string-thru-body design, complete with the classic wing-shaped Dean tailpiece. Dean tuners complete the hardware package, providing solid tuning to support your chops.